Breakbeat Tuesday – Rock Rock Yall
I have so much going on right now that I can’t get into a full in-depth thing about this next record. All I know is that it’s a MONSTER, and that I played it somewhere and sometime in my set on Sunday to thunderous effect. I first heard this in the form of Kool G Rap’s “Untouchable Remix” of “On The Run.” Someone told me it was a Ray Bryant record so I spent the next 6 months buying every record by dude I could find, until I copped “Up Above The Rock.” Like so many soul jazz records of the late 60s it was chock-filled with tepid standards of the time like “Little Green Apples” and Burt Barcharach jawns. But the title cut? Damn… So ill, and it’s been a favorite ever since in my sets. The production is very unique in it’s sound, as it’s on Cadet and they had a very distinctive sound and feel to their records at the time, courtesy of producer Richard Evans. The composition of the song is very cinematic and matched perfectly for the storytelling prowess of G. Rap’s mafia fairytales. And to me this was one of the first productions that made me think the Trackmasters had taken their shit to the next level. Anyway, a Philly DJ living in Brooklyn plays a jazz song by a Philly pianist sampled by a Queens MC at a party in Los Angeles, and all because of that, it being give to you.
And for good measure,