Thursday November 21 – MF DOOM Book Release – Philly, PA Breakbeat Tuesday – Deep Connections
You know that this music thing is really my thing, like I would be doing what I do even if I wasn’t getting paid for it. I guess it’s a compulsion, but that doesn’t really explain the connection that I have to music properly. But I just get a sense of indescribable enjoyment out of it, much like the way my sister Zoe Strauss describes her connection to the visual in this short film about her. The thing is I’m nowhere near as smart or talented as her… “Through the Lens of Zoe Strauss“ from Ted Passon on Vimeo.
But yeah man – sometimes there’s just something that hits you hard. Sometimes you hear something that instantly connects with you and there’s no way of putting it into words. So you’ll just have to listen. This past Thursday I did a show in Atlanta with my dudes Kon & Amir and the homie Injex from Sound Table. The night was over and I was standing in the back yard when I heard a song coming through the crack of the door that was so beautiful and haunting that I immediately had to rush in and see who it was. Injex was on the decks just playing 45s after hours and I walked in the booth like “Yo son what the eff is this?” The record was just ending at the time and, at the same time I was walking up, both the bartender and the last dancer on the floor simultaneously walked up, all three of us individually demanding to know what the record was. He showed me the 45 and it was so on. The next day in my hotel room in Montreal I was able to get a copy online (from the homie James Pants as a matter of fact!)
It was The Three Degrees. This is like a record that I should have known, but I didn’t. Sometimes things fall through the cracks and you miss joints, and this is one of them. The Three Degrees are a female vocal group from Philly and pretty much the “first ladies” of the TSOP organization. Mostly known for their songs “When Will I See You Again” and “The Sound Of Philadelphia” they went through a few variations of their lineup throughout the years but regardless of the members they always had one of the most distinctive vocal stylings of all time. Like top shit, eclipsing many of the more notable and supreme names in music history in my opinion.
This song came from their first album which predates TSOP, the 1970 “Maybe” release on Morris Levy’s Roulette imprint. The album was helmed by Philly producer Richard Barrett, who decided to lead the girls debut record off with an album cut buried deep on the first album by Cleveland rock outfit James Gang, “Y’er Album.”
The song was written by the great Joe Walsh and honestly, even though I have “Y’er Album” I never picked up on this cut, probably gravitating towards some of the more drum-laden tracks. But listening to the remake made me realize how incredible of a song it is. However I definitely feel as though the original is eclipsed by the remake, with Barrett’s orchestration being so lush and rich but never heavy-handed, coupled with absolutely perfect harmonies. This song floors me. It’s flooring me right now as I type while I listen to it.
The Three Degrees “Collage” (Roulette, 1970)
Okay just want to be clear here, Breakbeat Tuesday isn’t just about “breakbeats” and whatnot, it’s just about joints and heavy tunes. But since I know a bunch of folks out there like their drums and breaks and whatnot, here’s a joint from the first James Gang album that sort of fits the bill.
James Gang “Funk #48” (Bluesway, 1969)
“Wintertime is a razor blade, that the devil made, it’s the price we paid for the summertime.” – Hope you are enjoying your summer… – C
I discovered The New Birth when I bought the “Birth Day” album at Funk-O-Mart back in 1991 or 1992. The above Bobby Womack cover song, “I Can Understand It” was the first song of the album. That was all I needed to hear to fall in love with this group, and it was very soon that I started to incorporate a lot of the funk that I had been amassing, including New Birth, into my DJ sets. The group was the originally known as The Nite-Liters, an instrumental outfit from Kentucky, consisting of several members – most notable which is Harvey Fuqua.
The New Birth had a pretty successful career as a band and for my money they were one of the tightest ensembles of that day and age – standing up alongside giants like Kool & The Gang and Earth, Wind & Fire. Lots of people dismiss them as being a “tepid funk” outfit but honestly I think the people who think that are soulless monsters. I fully suggest going out and 
We started the mix with the East Of Underground version of “I Love You For All Seasons” which was actually the song that we had our first dance to. Most people probably know the original version by DC soul trio The Fuzz. But my wife fell head over heels by the rare EOU version and so that’s the one we used. Truth be told, I didn’t have the original vinyl when we made the mix, but I ponied up a couple months later for a copy – which cost me a cold $1000+. But you got to pay to play, man hahah… At first she wasn’t very happy over the fact that I had spent so much money on a record – not to mention a record that I already had on CD and on reissue. Thankfully she understood the sentimental significance of me owning the OG. I think all the bosses out there understand the deal. Nevertheless, here’s the mix. I hope you enjoy it as much as we enjoyed making it!